Unit ⑧ Membership

BasselsJ makes work about fighting and refinement in the open, for people who want to see how it's actually made, so it can exist without an institution deciding first whether it should. Members get the workbench: sketches, failures, studio footage, and work before it goes public.
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  • Threshold → Monthly newsletter
  • Early notice of releases before they go public
  • 10% off at shop.basselsj.com
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Unit ⑧ Member

Support as a monthly or yearly member
  • Everything in Free
  • Unit ⑧ → Monthly members-only letter carrying unlisted video from the studio
  • Behind the scenes: sketches, failures, work in progress
  • Live sessions from the studio
  • First refusal on new editions
  • One signed, numbered print each year, after 12 consecutive months of membership
  • 20% off at shop.basselsj.com any time, plus one 50% coupon a year
  • Members-only discussions
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Twenty years teaching martial arts, a school built by hand, two decades of teaching in schools and community centres. That is where the subject comes from.

What the work is about

Fighting is an appetite we're all born with, and it's so constant we stop noticing it, the way we stop noticing gravity. A baby fighting to be born, an argument with yourself at midnight over whether to open the fridge, two countries at war: the same appetite at different volumes. Someone is always paying for where we stand with it, usually someone who had no part in choosing. Fighting can't be removed, only refined, and it can't be refined alone. Refinement is the path between fighting others for ourselves, and fighting ourselves for others, walked in both directions for a lifetime, never arrived at.

You complete the work

A viewer completes a visual piece. That isn't a compliment to the audience, it's how the work functions. Refinement cannot be done alone, and neither can this: the work needs someone to extend toward and retrieve from, over and over. Without that it stays unfinished.

What members get

The workbench. Sketches, the pieces that got wrecked and why, studio footage, and recordings before they go public. Not a finished feed, the actual bench.

Where the money goes

Materials, studio time, and the work that has no buyer yet: the dinners, the installations, the books. Membership is what lets those exist before anyone decides they should.

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